Score: 21/100
Score on a par with: The Wicker Man (2006) 20/100; Memoirs of a Geisha 25/100; King Kong (2005) 21/100; Nanny McPhee 21/100; Sahara 18/100; Constantine 21/100; The Phantom of the Opera 17/100; The Ladykillers (2004) 16/100; Cold Creek Manor 23/100; Scary Movie III 25/100; Paycheque 18/100; The Matrix Revolutions 17/100; Blackball 17/100; The Matrix Reinstalled 22/100; Daredevil 19/100; K-19 The Widowmaker 16/100; XXX 15/100; Austin Powers: Goldmember 25/100; Scary Movie II 16/100; The Hole 16/100; The Grinch 23/100
“I hope your scratch has not made you useless.”
“Hardly sir, it’s only an eye.”
Such Pythonesque dialogue fills this bizarrely fuzzy account of an army of three-hundred Sean Connery impersonators’ response to an attack mounted by Julian Clary’s multitude of masked cellists, who eventually win because the Hunchback of Notre Dame knows the ways of the goats.
If you look at this film as a subtle comment on the foreign policy of the United States it’s really quite clever, but I have a nasty feeling that any intelligence in it is accidental and it’s actually meant just to be about a lot of good strong Americans cutting-up a lot of faceless rag-heads – this doesn’t prevent it from being quite a deep film and it does stand up to some rigorous analysis. It really could be a metaphor for the American approach to the Middle East, but it is simultaneously absolutely hilarious.
Also, amusingly, for all its red-blooded machismo it comes across as outrageously camp (a lot like most American soldiers do). All it needed, really, were the few big musical numbers for which it was crying out and I would have no compunction at all against describing it as the greatest comedy ever made. I want to see it again, now.
Look I’m terribly sorry but I’m afraid we’re going to have to occupy your house.
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